Laura Stoll is an artist and anesthesiologist whose work spans sculpture, installation, and performance. She holds a medical degree from Charité Berlin and a Master’s in Art & Science from the University of Applied Arts Vienna. Stoll’s practice operates at the intersection of medicine, psychology, and philosophy, exploring epistemological and metaphysical questions through a variety of media. Her work investigates consciousness, perception, and the embodied experience of time, often using material and conceptual strategies drawn from both scientific and artistic methodologies.

Crystin Moritz is a Vienna-based visual artist working with photography, video, and artificial intelligence. After studying photography in Berlin, she assisted Axel Hoedt and Laetitia Negre in London and developed a practice initially rooted in fashion photography. Her work has since expanded into AI-generated and hybrid image-making, where analogue aesthetics meet digital processes. Through exhibitions and collaborations in Austria and internationally, Moritz explores questions of identity, perception, and visual authorship, creating unsettling and speculative image worlds that challenge established photographic conventions.

Short introduction to the Pavilion of Time by Aknur Zhussip & Zarina Belousova and sound bath by Ricarda Silva Henao in the unique setting of the exhibition space.

致来自各地的「当地人」：期待在Tan Mu: Signal的线上闭幕活动见到你们。

Join the closing reception for Tan Mu: Signal from anywhere, with a virtual tour and conversations.

Limited-edition exhibition catalogue with a unique drawing by Tan Mu.

Join us for a Saturday morning of listening, reading, and slow-looking.

Tan Mu’s Signal series imagines the networks of submarine fiber-optic cables as “digital constellations.” The paintings are vibrant, intense in the making, composed and poetic as images. We’re showing five paintings from Signal and contextualizing the series with Tan Mu’s other works in recent years, about technological infrastructure and points of view, about representation of space and time, about consciousness and self-reflection. It is, among the artist’s exciting shows opening in the next months, a rare opportunity to see the Signal series in focus.

The solo cello concert accompanies Elisabeth Kihlström’s architectural intervention in Tuning, in another form of bodily negotiation and structural resistance. Gaspar Cassadó’s Suite for Solo Cello (1926) draws on the rhythmic vitality of Spanish dance, marked by sudden contrasts and expressive breadth. J.S. Bach’s Suite No. 6 in D Major (BWV 1012), written for the now-rare five-string violoncello piccolo, extends the instrument’s range to produce a luminous resonance with formal complexity and architectural clarity. Join us on 7 August for this guided journey through movement and form in sound.

Bence Temesvári is Solocellist of the Vienna Symphony Orchestra.

What’s really to celebrate this summer? You decide, but we have exciting art, drinks, and good companions (and neighbors)!

On view: Elisabeth Kihlström’s installation for Tuning and sculptures.